Wednesday, 3 January 2018

First New Year Post

As promised, I will be doing more blog posts this year. Here is the first.

The subject is a Grevillea Victoriae. While staying with a friend in Uralla, 23 kms south west of Armidale in the Northern Tablelands, I discovered she had this beautiful grevillea growing. Its habitat is the New South Wales rocky mountains, dry or wet sclerophyll forest and snow gum woodland. It thrives in the cold environment and can also be found in the NSW New England region.

I brought home numerous branches to study and paint. They kept beautifully in the bottom of the fridge with a damp paper towel on the bottom of the stem, a spray of water, then secured in a plastic bag. 

A few of the branches I used for reference

The colours were glorious! Deep and soft pinks, almost iridescent oranges and deep reds

Colour study
 

Initial washes

I wanted to show the

I wanted to show the actual habit this plant grew in, which makes the painting a story.

Was pleased when I finally completed it, as I could not achieve continuity in the painting. It was stop and start most of the way as I was had other commitments in between painting spells.

With delight I finally took it to have it scanned just before Christmas, only to be told the shop was closing down for holidays until the end of January. Oh well, it is tucked away in the drawer and I look forward to the scan where it can be produced in all its glory.

Sunday, 31 December 2017

Happy New Year

Wishing you all a Wonderfully create and exciting New Year.

My resolution is to do more blogs and newsletters. Always a lot to share and often no time to share it. Follow me on Facebook and Instagram for more images and frequent postings.

But I will share with you some paintings and sketches I have done this year. My mind never stops with new painting concepts and new places to explore.

This painting is for the Worldwide Botanical Art Exhibition which will be in Canberra , at the Ainslie Art Centre, Braddon 18-27th May 2018.

Let me take you through my working process. 

1. A collection of gum nuts and seeds from Western Australia.



2. Making an interesting and balanced composition.



3. Initial drawing.



3. Adding some colour with colour pencil to find the correct balanced colour to take the eye around the painting.


4. Colour study.


5. Detail of colour study




6. Work space.


7. Final painting


Friday, 8 September 2017

Port Stephens Botanical Art Workshop

Last weekend I travelled to Port Stephens which is about 2-1/2 hours north of Sydney to teach a botanical art workshop.

I was amazed by the work that was produced at the end of the workshop. No one in attendance had done any botanical art previously. Except for a few, the others had never even used watercolour.

Have a look at some of the finished painting. There were a few paintings completed which was unusual for a weekend workshop with beginners, as there is so much to learn about the processes. I was really blown away by their work.

Art & Craft Gallery Nelson Bay
The Art and Craft Gallery is a fantastic facility for Nelson Bay and the surrounding areas. It brings the art community together with regular classes and workshops. They have a shop selling members work, a large studio for the many varied arts and crafts and a café which serves the most wonderful meals. It is also set in very beautiful grounds, which are tendered by volunteers.

Some of the students hard at work






Some of the colour matching processes


These are some of the works produced. A few are finished and a few still need some more washes but almost there.

You have to admit this is amazing work from absolute beginners to both botanical art and watercolour.

I was thrilled to say the least. I hope they have caught the 'botanical bug' and continue to enjoy working with nature, plant and flowers. 


BASA Members Botanical Art Exhibition

I was honoured to judge the Botanical Art Society's Annual Members Exhibition which is on at the Sydney Royal Botanic Gardens Palm House until 11th September 2017.

I was extremely impressed with the high standard of the work. I see a shift towards more contemporary work, rather than the earlier very scientific paintings, although there were still some for visitors to enjoy.

Almost half of the exhibitors have done workshops, classes or my Distance Learning course. It is so rewarding to see how they have continued with their painting, using the skills and experience of having done some structured botanical art with me initially. I get a real thrill walking around the exhibition and seeing familiar names and seeing how their work has developed.


The entrance to the Royal Botanic Gardens Sydney

The Palm House

Inside the Palm House

Here are just a few images from the current exhibition. Having light coming in from three sides of the Palm House it is very difficult to photograph with the light reflected on the glass, but you can get an indication of what to expect at this exhibition.

Papaver nudicaule - Unfurling
Leda Turner
BEST IN SHOW

Telopea speciosissima and Acanthorhynchus
Janet Matthews
HIGHLY COMMENDED

Cynara scolymus
Sue Stuart
HIGHLY COMMENDED

Slipper Orchid
Gwenda Levy
HIGHLY COMMENDED




Some of the exhibited paintings

Every painting in the exhibition had merit and every person who exhibited needs to be congratulated on the standard of work they produced.

Lilium Workshop

Since returning from Flores I have been extremely busy, but that is not new. As well as my Distance Learning Students work to evaluate, photos to sort, articles to write and various other activities, I did a weekend workshop at WEA Sydney on 'Liliums'.

The room was filled with glorious colour, although not glorious scents as the lily stamens have a rather unpleasant odour. The art room is a wonderful environment as it is spacious, comfortable, has all the necessary teaching facilities and superb lighting.



Most of the class were new to botanical art, in fact several had never even drawn before, let alone use watercolour. It is very rewarding for me to be able to take the participants through the Processes of Botanical Art. These are the Master Drawing, Colour Study and Final Painting.

In a two day workshop I do not expect finished paintings, especially from beginners. It is all about learning the processes, learning what to do and how to do it. At the end of the weekend they have the knowledge to finish their paintings at home.


Below are the results of some of the participants drawings and paintings. I ensure the colour studies are completed with accurate colour matching and practice components. Remembering firstly if the drawing is not right, the painting will not be right. The most important phases are these two processes and this is where most of the time and research is taken.

When looking at the work, remember they are not finished paintings and some students had never drawn or used watercolour before. This is extremely rewarding for me as a tutor to see how much they learn and how far they come in a weekend workshop.



So congratulations to all the participants. 

Remember botanical art is all about
PRACTICE
PATIENCE
PERSISTANCE
PERSEVERANCE

Sunday, 20 August 2017

Botanical Art & Sketching in Flores, Indonesia

I have just arrived home after a wonderful two weeks in Indonesia, the majority of the time in Flores. This is an incredibly beautiful island two and a half hours flight from Denpasar Bali. The first nights accommodation was in Udayana Ecolodge in Jimbaran Bali. The following morning my group and I flew to Ende, then a few hours drive to the beautiful ecolodge of Kelimutu Crater Lakes.

There is a series of these ecolodges throughout Indonesia and they have an International Eco Certification.  I am very pleased to be representing and supporting the ecolodges by taking my art groups there for workshops.  This year it was Flores, and next year will be Bali, with an optional post workshop tour to Rimba to see the orangutans.

Flores is known for its coloured volcanic crater lakes and on the north side of the island are the famous Komodo dragons. The drive from the airport to the Kelimutu Crater Lakes took several hours and we stopped along the way to visit an ancient village of Saga and to view some stunning vistas.

Traditional ancient village of Saga






Arriving at the Kelimutu ecolodge I was amazed at how well it blended with the landscape while being so functional and picturesque. The accommodation was firstclass and exceeded all my expectations. All the rooms had wonderful views, and from my villa higher up, I would wake each morning to the sun rising over the mountains and the spreadings its warm rays over the rice paddies.

The view from my villa

My villa
There were 13 in my group from many places in Australia. Some had been with me previously on art tours, and for some it was their first experience in Indonesia. Our morning workshops were done in an aula, which is an open sided structure and used in villages to hold meetings and important events. 

The aula used for the botanical art workshop

Some of students at the workshop


One of the benefits of painting in a different environment is the varied choices in plant and flower selection. Some of the same species found in Australia grow throughout Indonesia (and other countries in the world), but there are always a few unique, colourful and special gems to be found.

 

 During the afternoons there were some fascinating excursions to various locations where the group would sketch and/or explore the area. 


The Kilimutu crater lakes

Rice paddies at Moni village
 
The group trekking to the waterfall

Spinning and dying cloth for weaving
 We explored the local village of Moni, where the ecolodge owners have a long standing connection with the people. One of the highlights was a visit to the local school where we took coloured pencils, books, rulers and erasers. It was a special time for both the children and ourselves.

There were so many exceptional places we explored, and above all the group were very excited with their paintings for the week. It was a treat to  be able to spend 5 mornings without interruption working on the paintings, with individual tuiton, except when we stopped to enjoy some very special freshly cooked pancakes, slices, fruit, scones and various other delights for morning tea. 

The time came to farewell Kelimutu and its wonderful staff, who cooked the most wonderful meals and really looked after us. I felt I had been on a health retreat - walking every afternoon when we were on excursions, eating very delicious healthy and low fat food, and sleeping like an angel.

The local villagers performed their traditional songs and dances for us on the final farewell evening. 

No wonder I am so looking forward to my next Botanical Art workshop with Ecolodges Indonesia. This will be at Udayana Ecolodge in Jimbaran Bali, which is a quiet area, and afternoon excursions will be locally and so avoids any heavy traffic. There is always so much to see and do. 

TOUR DATES: 4-11 June 2018  Contact me for further information leonienorton@iprimus.com.au